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• Published on: 2006
• Binding: Paperback

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for unison (junior) and SATB (senior) choirs and keyboard
The unison line, or junior choir, does have some small simple divisi. Overall, this is an accessible piece that is both rich and moving.

• Sales Rank: #14543999 in Books
• Brand: Oxford University Press
• Published on: 1985-06-01
• Dimensions: .0" h x .0" w x .0" l, .4 pounds
• Binding: Paperback
• 8 pages

About the Author
Born in Saffron Waldon, Essex, Gordon Jacob was one of the most musically conservative of his generation of composers. Though he studied with Vaughan Williams and Stanford at the Royal College, Jacob preferred the more austere Baroque and Classical models to the Romanticism of his peers. He was a skilful writer for winds, and a good deal of his regard today is for his embracing of the wind band. Jacob was highly prolific and published over 700 pieces of music before his death in 1984, in addition to his four books and numerous essays on music.

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Palabra abierta, 2/e, is a theme-driven and process-based Spanish composition text designed to develop advanced students' critical-thinking skills and academic writing proficiency. Through a functional grammar approach students learn about a variety of genres, with a particular focus on the academic essay. Each chapter explores multiple aspects of a common theme through various written genres and teaches students about functional components that constitute each of the genres presented. Each chapter also includes one model essay that demonstrates the genre in which students will be asked to compose. Readings and activities provide students with the appropriate vocabulary, linguistic structures, and writing strategies to allow them to meaningfully engage in chapter topics as well as diversify and expand their writing skills.

• Amazon Sales Rank: #14555 in Books
• Brand: Brand: Cengage Learning
• Published on: 2006-11-27
• Original language: Spanish
• Number of items: 1
• Dimensions: 9.08" h x .51" w x 7.52" l, 1.22 pounds
• Binding: Paperback
• 368 pages

• Used Book in Good Condition

Review Capitulo preliminar. Abriendo la palabra Capitulo 1. Las relaciones: Descubriendo los lazos humanos Primera lectura: Cuentos de Tony Mendoza Segunda lectura: La naturaleza del amor de Cristina Peri Rossi Tercera lectura: Enamorandose. de David Wroclavsy, Silvina Lamazares y Patricia Rojas El arte de amar Escritura: Comunicacion periodistica; El reportaje y la objetividad Tipos de reportaje Estructura del reportaje Creando nuevos textos Primera, segunda y tercera version del reportaje Palabra abierta Capitulo 2. Globalizacion: Entrando al Nuevo milenio Primera lectura: La sociedad de consumo de Eduardo Galeano Segunda lectura: Los cazadores invisibles, Una leyenda de los indios miskitos de Nicaragua Tercera lectura: El libro en espanol en EE.UU de Julio Ortega Escritura: El ensayo Creando nuevos textos Primera, segunda y tercera version del ensayo La musica como expresion cultural (modelo estudiantil) Palabra abierta Capitulo 3. La mujer y su social Primera lectura: Hombre pequenito de Alfonsina Storni Segunda lectura: Madres porque si de Inmaculada De La Fuente Tercera lectura: Ser mama por celular de Elizabeth Subercaseaux Cuarta lectura: Escritura de mujer de Rosa Montero Escritura: El ensayo analitico; Creando nuevos textos Primera, segunda y tercera version del ensayo Palabra abierta Capitulo 4. Fronteras: La experiencia latina en los - Estados Unidos Primera lectura: La voz urgente de Manuel Martin-Rodriguez Segunda lectura: Las repatriaciones de noviembre de Francisco X. Alarcon Tercera lectura: El racista enmascarado de Carlos Fuentes Escritura: El ensayo argumentativo; Componentes de la argumentacion El terma y la tesis Los datos y las argumentacion Los contraargumentacion Primera, segunda y tercera version del ensayo Palabra abierta Gramatica funcional: Las metaforas gramaticales: Nominalizacion Variedades del espanol: Chicana Lenguas en contacto: El espanol en los Estados Unidos--Los calcos sintacticos Actividades suplementarias Capitulo 5. El realismo magico: Una vision -latinoamericana del mundo Primera lectura: La santa de Gabriel Garcia Marquez Segunda lectura: Dos palabras de Isabel Allende Tercera lectura: El Realismo Magico: Indeleble impronta de la narrativa hispanoamericana de Silvia Rolle Rissetto Escritura: La conclusion Creando nuevos textos Primera, segunda y tercera version del ensayo La fuerza y autoridad (modelo estudiantil) Palabra abierta Capitulo 6. La identidad de los latinos: " Dos culturas, dos lenguas y dos visiones del mundo Primera lectura: Introduccion y Prologo de Cuando era puertorriquena de Esmerelda Santiago Segunda lectura: Coser y cantar de Dolores Prida Tercera lectura: Coser y cantar de Dolores Prida de Alberto Sandoval Sanchez Escritura: La monografia; Creando nuevos textos Primera, segunda y tercera version de la monografia Palabra abierta

About the Author M. C. Colombi holds a Ph. D. from the University of California, Santa Barbara, and is a Professor of Spanish Linguistics and Language Program Associate Director at UC, Davis. Her research interests include educational linguistics and sociolinguistics with emphasis on Spanish in the United States. Recent publications include Mi lengua: Spanish as a Heritage Language in the U.S., coedited with Ana Roca (GUP: 2003), Developing Advanced Literacy in First and Second Language, coedited with Mary Schleppegrell (LEA, 2002); Palabra abierta, coauthored with Jill Pellettieri and Mabel Rodriguez (Houghton Mifflin, 2007), La ensenanza del espanol a hispanohablantes: Praxis y teoria, coedited with Francisco X. Alarcon (Houghton Mifflin, 1997).Jill Pellettieri is an Associate Professor of Spanish at Santa Clara University. Her areas of expertise include second language acquisition, computer-assisted language learning, and second language writing. In addition to RUMBOS and other Spanish instructional texts and materials, she also authors the best-selling PLAZAS Workbook.

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Palabra abierta (World Languages)By María Cecilia Colombi, Jill Pellettieri, María Isabel Rodríguez PDF

Palabra abierta (World Languages)By María Cecilia Colombi, Jill Pellettieri, María Isabel Rodríguez PDF

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Amazon.com Review

Learn to create your own comics with Drawing Words and Writing Pictures, a richly illustrated collection of 15 in-depth lessons that cover everything from crafting your story to lettering and laying out panels. Take a Look Inside Drawing Words and Writing Pictures Three Panels That Move Beyond the Grid This page from Mike Mignola's Hellboy is a beautiful example of creating rhythm and mood. Read more... In Blankets, Craig Thompson tells his story through dramatic and unexpected page layouts. Read more... In David B.'s Epileptic, the shape and orientation of the panel reinforce the storytelling. Read more...

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Product details

Paperback: 304 pages

Publisher: First Second; First edition (June 10, 2008)

Language: English

ISBN-10: 1596431318

ISBN-13: 978-1596431317

Product Dimensions:

7.7 x 0.7 x 12.1 inches

Shipping Weight: 2.8 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

50 customer reviews

Amazon Best Sellers Rank:

#48,580 in Books (See Top 100 in Books)

95% of artists who completed course this would find themselves improved.The type is indeed too small and the space not always well used.The tone is friendly, personal, non-pedantic. I think the opening section, analyzing what a comic is, and comparing the different names for comics in different languages, IS interesting. More importantly, it gets you thinking--fundamentally--about what it is you're about to get into.If one struggles through that (brief!) opening part, finding it too heady, not entertaining enough, one may not have the optimal mindset for getting the value of this book. Yet still benefit from it.Drawing Words and W;riting Pictures wisely suggests specific ways of "socializing"your comics learning, and does all it can to compensate for the lack of an in-room teacher. Kudos! The material on Character and narrative arc are wonderful and rightly presents those two topics almost in tandem.I love that a section on inking is titled "Softening the Black." That gets at the purpose of almost all the tools and techniques of inking. It's a fundamental insight that I don't think you'd find in any other such book.Abel and Madden guide you in practical matters, like setting up your inking kit and working area, doing exercises, caring for your back.The weakest part I think is the chapter on lettering. Abel and Madden come at comics from a Europhilic, Fantagraphics-y mindset that emphasizes sincerity and sweat over polish and efficiency and urge people to learn hand lettering. Fair enough. The rules of lettering are the same -- or most definitely should be -- but the book's lettering dos and don'ts are near-non existent.Incredibly, some of their illustrations feature the roundly and justly reviled font Comic Sans! Equally bizarre, to anyone with even a semi-professional background, they don't know and don't teach the rule on how to use serifed capital Is. Nothing shrieks "amateur" in work samples like seeing that serifed I in the middle of a word.They say you can get a font made of your hand lettering (a great idea), but don't say where.Another weakness is that--like a million how-tos before-- this book shows you 6 or 7 different mouths, for example, IN ISOLATION and moves on. Faces are way too important to be given this once-over lightly treatment. Here is where the authors should have looked to the world of animation to show how features interact and contribute to an overall attitude/expression. See the immaculate attachment from Disney's Big Hero 6. On the plus side, they do talk about how other parts of the face can affect the shapes of eyes.

I brought an advance copy of this book into a college illustration class I teach. The class was quite impressed. In fact, two students went onto Amazon online and bought it instantly. Usually I discourage shopping during class, but Drawing Words and Writing Pictures is an answered prayer for the aspiring comics artist.This is an ideal text for a 15-week class in comics. It also has guidance for starting an informal collective class. It includes suggestions for the stereotypical solitary artist, who the authors are gracious enough to refer to as ronin. There is a wealth of info on the narrative process, page design, lettering, pens, and even Photoshop scanning advice.The authors' individual web pages present a lot this DIY info, so search out their sites, see if their philosophies appeal to you. The book contains multiple perspectives from two remarkable artists. Matt Madden is into "formalist" styles, working within Houdini-like constraints. Jessica Abel's La Perdida is one of the great masterpieces of the long-form graphic novel.From George Herriman to Robert Crumb, Charles Burns, to Kaz and John Porcillino, the book is crammed with a diversity of styles. Wide-ranging and inclusive, no matter what one's preferred comics style, from manga to superhero to alternative, you will find something to like here.Instructors will find the bibliography alone is worth the price of admission, I teach a seven-week college comics course each fall. My plan is to email the students over the summer, tell them to get this book and get started on the exercises. The ronins will get a head start and their classmates will lose face.Scott McCloud's Making Comics is also a valuable college course text for serious students, who have some background in reading comics and thinking critically about the artform. Drawing Words and Writing Pictures, however, has practical exercises for students at any level. Highly recommended.

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Audible Audiobook

Listening Length: 5 hours and 51 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audiobooks

Audible.com Release Date: October 16, 2014

Whispersync for Voice: Ready

Language: English, English

ASIN: B00O5CT4SS

Amazon Best Sellers Rank:

There are FAR, FAR, FAR better books than this if you want to explore meditation. Sam is no expert by a LONG shot. I didn't even finish reading it. I've read 100's of books on Buddhism, eastern thought and meditation - it's not that this one doesn't cover the basics I guess - it's just that you can find so much better information from far better qualified teachers than Sam Harris.

What a great book. I was born and grew up in Theravada Buddhist family. Even as a teenager I saw the value in the 4 Noble truths. But I couldn't quite come to grips with the idea of Reincarnation & the Law of Karma. That sounded like a " Celestial Accounting System that worked on Auto Pilot". To me that seems as nonsensical as the "Old Man in the Sky" offered by Abrahamic religions.Especially when as a young Buddhist one of the first things I remember learning is Buddha's admonishment to "Never believe in Dogma. But to sift all teachings(including his) through your own experiential filter. Then if it it still seems valid to try it on". When you just take that teaching into heart and try on the concepts Karma & Reincarnation; it makes the 8 fold noble path a moot point.But Sam Harris brings a new perspective. Damn You Sam Harris! your arguments takes away my excuses for staying away from the meditation cushion.It is a pretty dense subject matter. With a chapter on Consciousness and another one on Self. While some of it was new and interesting, other ideas might take 2nd or 3rd reading to get through my thick skull.I think every Buddhist should read and consider what is laid out here. I highly recommend to anyone who has a intellectual curiosity about spirituality. Yet from my experience I know that only few of the most ardently spiritual would dare to tackle it. Between Sam Harris and Stephen Batchelor's writing they extend the Buddhas admonishment for experiential learning by applying 21st century rationality to the inquiry. These two writers and their writing gives a good intellectual foundation to wade into spirituality with healthy dose of 21st century agnosticism.

Here's one of the many examples that Sam Harris uses throughout this book regarding consciousness: Suppose you're going to Mars via a teleport machine. Many of your friends have already done this safely and are already on Mars. But what the creator of this teleport machine doesn't tell you is your whole being down to every last atom is copied and reconstructed on Mars. The "copy" has all your memories, your appearance, etc, and is essentially you. Then your body on Earth is vaporized painlessly in a split second. To ensure safety, the reconstruction must be finished before vaporization. This poses a few interesting points about consciousness. Because reconstruction must be finished first, does that mean there are two conscious people that are considered you? If you can be reconstructed by a machine, what does this say about consciousness? Is conscious defined by physical continuity or physiological continuity, as with the teleport machine? If you knew how this teleport machine actually worked, would you still do it?All these questions and more are posed to the reader, than Sam Harris explains his views on it via science and logic. I found his arguments sound and in my opinion hard to argue against. Sam Harris is a neurosurgeon and a non-religious spiritual teacher, so he has plenty of experiences to answer these deep questions.I cannot recommend this book enough. I also suggest listening to his podcast "Waking Up".

I normally am not a person having much interest in things of a spiritual nature, but I decided to read this book on the recommendation of a friend. Actually, as I learned, spirituality does not have to have anything to do with religion. You can have a “spiritual experience” without any religious overtones. In fact, the word spirit comes from a Latin word which is a translation of a Greek word that means “breath.” It was around the thirteenth century that the term became entangled with beliefs about immaterial souls, the supernatural, and ghosts. We note that Christians, Muslims, Hindus and others can experience something spiritual in regards to their religions. The author indicates that because their beliefs are incompatible with one another, the spiritual component must emanate from a deeper principle.According to the author, this book is “an introduction to the brain, a manual of contemplative instruction, and a philosophical unraveling of what most people consider to be the center of their inner lives: the feeling of self we call “I.” There is a deeper principle at work – that the feeling of “I” or “self” is an illusion. The author uses his personal experience to help readers see the nature of their own minds in a new light. We are shown that a rational approach to spirituality seems to be what’s missing from secularism and the lives of most people. The author has spent considerable time seeking experiences of the kind that gave rise to the world’s religions. For example, he notes that he spent two years on a silent retreat in increments of one week to two months practicing different types of meditation for up to eighteen hours per day. That’s determination!We are introduced to a concept called mindfulness. Facilitating this state may involve a technique called vipassana (meaning insight), or consolation of the Satipatthana Sutta (an empirical guide to freeing the mind from suffering). No worry, we are provided with some instructions from the author on how to meditate properly. In life, we grasp at transitory pleasures, we worry about the future – life is stressful. The “spiritual life” promoted by the author is a solution to bringing this stress to an end. He starts by investigating the nature of consciousness and shows us that by transforming its contents through deliberate training we can achieve the basis of spiritual life.We our next introduced to a more detailed discussion of “self.” He tries to convince us that this sense of self is just an illusion and that spirituality consists of realizing this moment to moment. He supports this notion by showing that nothing a Christian, Muslim, or Hindu can experience constitutes evidence in support of their belief whether it be ecstasy, bliss, inner-light, or whatever. It is because their beliefs are logically incompatible with one another. In the book, we see that the illusion of the self can be investigated and dispelled. Harris shows how he reached his conclusion through much meditative practice with various “gurus,” and Dzogchen masters. More support for his views comes from a discussion of near-death experiences and drug use.The author concludes: “Until we can talk about spirituality in rational terms – acknowledging the validity of self-transcendence – our world will remain shattered by dogmatism. This book has been my attempt to begin such a conversation.”

I grew up in a Christian family and then earned degrees in Philosophy and Neuroscience. As an atheist, I've been mourning the loss of faith for years. Just because you want something to be true, doesn't mean it is. Losing one's faith can definitely leave a hole. This is the book that begins to fill the void and emptiness that I've felt from that loss. Thank you Sam Harris. This book will change lives.

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